30 December, 2010
between the coffee and the sugar
my mouth and your mouth
string our theories along
jesus strung up on the cross
jeremy strung out
with the wash
they're the same, right?
with a want to die
to allow my body to be finally connected with the earth
I wish I were retarded and
could only process certain things
limitations and parameters with which to make connections
instead of this eternal torrent of senselessness
downloading me down
always different, never the same, indifferent
always the same
in its difference
17 October, 2010
a kiss
plains
20 July, 2010
hold onto nothing as fast as you can
For the first time, I guess in my entire life, I have a place I can call home.
There was my mom's house that I lived in for eighteen years, but it was always just that: my mom's house, with her way of life, her energy pervading every room, a big black negative gas that sifted under every closed door. There were no locks in that house, not even on the bathroom door, so I locked and bolted everything into my head. When the air there became too clouded and toxic to catch even one breath, I left.
I went to a boyfriend's house. He lived in a two-bedroom with his Lebanese grandparents, uncle, and cousin, none of whom spoke a word of English, or pretended they didn't. I had known my boyfriend two weeks when I began living with him. There I traded the repression and suffocation of the senses from my mom's house for a full-out emotional vomit. It was like when you get alcohol poisoning, and you vomit violently until you can't anymore, and then dry heaves, and the only thing you can think about is making your stomach stop convulsing. Everything was allowed to come out and be said, and the hatred was sickening. My boyfriend hated his family. They hated him back. I swiftly began to hate all of them. It was difficult to navigate around all the hatred, lying in stinky pools throughout the small crowded rooms of that house, without accidentally stepping in it.
Then there were the college dorms. I have never been to the Bronx, but in my Hollywood imagination, I imagine it is a lot like my dorm hallway. Beer vomit, used condoms, and greasy du-rags on the floor. A communal bathroom, where more often than not, people had drunkenly mistaken shower stalls for toilet stalls and had shit to their heart's content. Gang-bangs and drug busts in the room adjacent to me were regular. It would have been funny if it was a movie, but it wasn't, knowing that's what I would come back to every night.
Sunday night we moved into our new house. In my head, I call it the Farmhouse, the Farmhouse on Odell. It was a bit of a religious experience. Each box that came up the stairs was like an offering of thanksgiving to whatever god pulled the strings and let this happen.
When everything was moved in, we lit incense and put on recordings of the three songs we have written together: "FAT WHITE MEN," "Do You Feel It?" and "Heroin Song." As the music played, we carried the incense around to each room of the house.
Then grilled chicken breasts , spaghetti with tomatoes and garlic, and wine. And nudity, and Tori Amos. Tori is our patron saint.
There are seven apartments in the house. The first neighbor I met said, "I don't want to freak you out, but there is a spirit that lives in this house. Most of the tenants have had direct communication with him."
There is a large papasan chair on the porch, big enough for two or three people to curl up in, a smoke and coffee nest.
There is a good sized niche with an altar-like step, oddly residing in the bathroom. It has no apparent purpose but to be a shrine, so there across from the toilet will be our shrine to Jesus. Ask, and you shall receive an easy, complication-free shit.
The one remaining task is to find a piano to share the house with us, that can put up with our weird lives, and is not shy about teaching us things.
And I am living with the woman I love most in the world. Last night we wrote a song. Home is where the heart is. I am home.
